Monday, September 26, 2016

Fantastic Animation Festival, 1977





Internet search engines are a wonder. Today not only did Google solve an old itch of mine but it gave me far more information about a subject than I ever imagined or hoped to find. And for that, I am thankful.

I know that my search was something I could have handled and solved years ago but I delayed and pondered and let the matter go time and time again. And really, sometimes those things you discover as a young man don’t really translate well into the world you occupy as an adult so it’s easy to let them go, you know? In this case it had to do with a song, a theater and a film, and together at the time they were magical. I never imagined that together and apart still had the power to inspire and bring joy an awful lot of people after all these years.

First off, we can't blame the mania about this experience just on dope. Sure, Mexican grass was THE game changer in my life back then (aw, I call bullshit on that,,,sex was, too). And yes, I know, we are all gathered here today because that particular kind of grass from the other side of the border WAS greener and made everything, I mean EVERYTHING, a complete and total gas under the influence. It didn’t matter what it was, everything was more fun, more interesting, more freaking wonderful on weed. Homework changed, housework changed, relationships changed, and for the most part, everything changed for the good. 

I am sure the day that I smoked Thai stick and swept the driveway at the drive-in changed my life forever. When I found out that even the most mundane tasks were cool and enlightening on dope I had to apply that new found wisdom to other things I liked and enjoyed, like food, music and film.
It was around that time that I found myself grooving on international animation. PBS had an animation program that aired late on school nights and it brought a whole new and interesting art into my life. Once I attained wheels I was able to take my jones for film on the road and was able to catch movies all around the county. In the end the combination of wheels, cash and cannabis made for a perfect storm.

Sometime during the winter of 76 I bundled my fellow stoner buddies into my Galaxie 500 and drove off to the Surf Theater in Huntington Beach to catch a special kind of flick. That night, instead of watching surf or ski films, we smoked some spliffs and caught an animation festival that truly rocked our worlds. One piece in particular, French Window, by Ian Emes, with music by Pink Floyd, really captured my imagination hard core. A year or so later I was able to take in another film, the Fantastic Animation Festival, at an art house in San Diego, and that piece was wrapped up in that play list as well.

I am not sure what it was about that film that rocked my world so hard but it did. After catching those first animation festivals I sought out others with the hope of seeing French Windows again but not once did it ever pop up. I went out and bought Pink Floyd’s Meddle album and played One of These Days over and over again, just to replay that rich visual imagery in my head. As the years went on I had a general idea of what the film looked like, or thought it looked like, but lost the feel for the visuals completely. In the end it was just the powerful effects of the song that drove me to wonder what that animated piece was all about. That is, until today.

Today I worked that research magic that librarians throughout the land are famous for and was able to track down not only French Windows but information about the animator as well. It wasn’t hard at all, really. I typed in One of These Days and animation and viola, there it was, French Windows, in all its glory. 

From there I was able to find out more about the fable 1977 animation festival, the rights surrounding the song (which makes it hard to find that animated piece just about anywhere) and the general unavailability of a recording of the festival itself. But thanks to a poster on YouTube you can catch a VHS rendition of the animation festival it's entirety, the same one that I grooved to long ago. Included are Will Vinton’s Closed Mondays and Mountain Music as well as an assorted of absolutely incredible animated pieces.

Today the internet provided a sort of time tunnel for me. I was able to plug in French Windows and jet back to that funky old theater by the sea and groove on a film that moved me so way back when. But more I was able to find out more about the man who not only changed animation history but is still revered throughout the world for that one particular animated piece. Somehow I knew when I saw it at the Surf Theater back in the seventies that Emes’ French Windows was timeless. Today I found out that I wasn’t off the mark at all. It truly is.


Salud!

A New York Times article from that era about the fest!
http://www.nytimes.com/movie/review?res=980DE7DE1E3FE334BC4052DFBE66838C669EDE

Ian Emes website!
http://www.ianemes.com/

Wiki about Ian!
https://en.wikipedia.org/wiki/Ian_Emes

French Windows!
http://www.dailymotion.com/video/x17acm5_pink-floyd-one-of-these-days-ian-emes-french-windows_music

Gallery IKON!
https://ikon-gallery.org/event/ikon-icons-ian-emes/

An interview with Ian!
http://www.vice.com/en_uk/read/ian-emes-interview

A note about the Surf!
http://cinematreasures.org/theaters/3697

A current roster of animation festivals throughout the world! WOW!
http://www.animation-festivals.com/

Lastly, a wiki on Meddle!
https://en.wikipedia.org/wiki/Meddle




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